Compass

The bear’s head points into the hills.
The horse clams sleep in Mutiny bay.
I drive a highway tight between the two,
I drive tomorrow into yesterday.

The boy found fire in the mussel shell.
The Thunder gifted him a spear.
I search for fire beneath my foot,
I search for Thunder in the gears.

The bullwhip kelp on the ha-ah-poos.
The whale flukes mute above the waves.
I find my fuel in their histories,
I find my future in their graves.

With some help from the Klallam story of “The Offended Hero.”

The PVP Diaries #88

On November 6 I wrote:

I think (says the guy who railed about guessing at things he doesn’t know) that the coronavirus gestalt is going to undergo a significant change here in the coming months. maybe even weeks, as Thanksgiving and Christmas approach.

This may be the only thing I’ve been right about from the start (remember if you will that my earliest predictions were for a couple of months of panic, then a return to normal). And I’ve been saying for a while now that the election was going to mark a change in both the public and the official/governmental sense of the plague. It has. We’re at a point now when everything plague related has been rising steadily – positive test results, deaths, hospitalizations, the reproductive number – all of it. And yet, we are loosening up. There has been the lip service done about limiting family visits and travel during the holidays, but there are no new restrictions, no new closures, nothing more than some slightly more insistent admonitions to wear masks and keep your distance. COVID is far worse in Washington state than it has been since the beginning, and now the Governor is talking about sending kids back to school by March. It’ll be just the K’s and 1st graders and any students with special educational requirements, but in a climate where every sneeze had the Capital boarding up another public window, starting the back-to-school process during peak pandemic activity is a curious move, to say the least.

And it may just be a function of time and complacency, but the public in general is less fervent about it. Comments on COVID articles aren’t as high-strung and vitriolic as they were two months ago. People are taking bigger trips (while of course checking all the plague-safety boxes they can), staying gone longer, having more visitors, etc. All, again, while the pandemic is worse than it has ever been. How do we explain this?

I explain it, of course, in the way that best highlights my prescience: by saying that the plague’s political expediency has evaporated, post-election, so the utility of high-visibility reactions and measures has disappeared almost completely. And you can’t prove a negative, so there’s no way to say what would have happened if Trump had won (HE DID WIN VOTER FRAUD STOLEN ELECTION NEVER GIVE UP BUT ALSO I CAN’T BELIEVE HILLARY DIDN’T JUST SHUT UP AND ACCEPT THE ELECTION RESULTS IN 2016 WHAT’S WRONG WITH DEMOCRATS ANYWAY), but I did say that the plague vibe would dissipate more quickly and completely with a Biden victory (HE DIDN’T WIN YOU LIBTARD HAVE YOU SEEN HOW MUCH AMMO I HAVE).

I remember October, when the kids went back to full soccer practice and had some games scheduled because the two week number of positive cases was below 25 per 100,000 people. Today it is 496.2 per 100,000. In June a jump like that would have had us locked down tighter than a frog’s butt, and yet the kids are going back to school, and nobody’s screaming, nobody’s protesting.

These little red triangles were all green, not too long ago. Here’s the rest.

I don’t know, maybe I’m wrong, but all evidence seems to point to COVID reactivity being strongly dependent upon election proximity.

Never Stop Laughing

The Boy wasn’t yet a year old, The Girl just shy of four. Whistler, British Columbia. Christmas, 2011.

“He looks out the window a lot, Papa.”

“He sure does.”

“Why do you think he does it?”

“Well, do you remember when I told you that his spirit was a miracle?”

“I think so. I think you said it was a miracle because it hasn’t done anything twice.”

“That’s right. Because for a tiny moment, it was the only thing in the world that had not done anything twice. And now there’s a world full of things that he hasn’t seen even once. Turns the world into a kind of miracle for him.”

“That’s why he laughs at it?”

“No, he’s laughing when he looks out at it because he wants to do everything he can with it to make it laugh like he is. He doesn’t know where it comes from or how it starts or anything about it except that he wants it to keep going. That’s how you feel when you are tiny, and new, and haven’t done things twice or seen things once, and it’s the part of it that’s the same for him as it is for us.”

“If it’s the same, Papa, then how come you don’t laugh so much?”

“Jeez, how old are you again?”

“Three and a half.”

“Hm. Well, I guess I don’t laugh so much because after a while you find out that some things don’t laugh back. And after a longer while, after too many things don’t laugh back, you just get tired.”

“Too tired to laugh?”

“Too tired to laugh, baby. But we remember that the world was a miracle for all of us, once. We remember that we saw new things everywhere we looked, and we expected everything to be laughing just because we already were, even though it has been too long, sometimes, since anything up and laughed with us. That’s what Christmas is, sweetie: Being old and tired and still laughing, for a day, like we did when we were still playing with miracles.”

“But I’m not old.”

“No, you’re not. And you never have to be, because to your brother you are everything he sees when he looks out the window. And laughs.”

Librarian

 The orca’s tongue is tattooed in crowblack ink
 with the whole history of the Hoh
 and the names of Nisqually who hunted there
 in the sacred space between hawk and bear – 
 hung to cure in a frozen smoke.
  
 In the blackfish grin, written on salmon skin, 
 lives the library of the Lummi
 and the forgotten words to S’Klallam songs
 sung in the fog from which they’re drawn – 
 then gone like a dream’s unblooming.
  
 But the orca speaks, too, the newer words
 of submarine and ferry boat
 and the sharp dialect of high skylines
 that replace the flesh with the crystalline – 
 concrete terms being asked to float.
  
 A blackfin ripple loops cursive in the bay
 as the orca pens the Pacific tome
 and writes Sound verses beneath the surface
 in a Salish hand whose arc is perfect – 
 the scrimshaw line of tooth and bone.